About

Diana @ Spotlight on Film, film & literature critic, explorer, traveller

Spotlight on Film

Dear Reader,

Welcome! I’m Diana! Let’s Connect!

🎥 Spotlight on Film (previously dbmoviesblog) is a film site with a difference – it aims to inspire and empower film audience one post at a time. I write critical reviews of films of different kind: old and new, in English and in foreign language, covering various genres (see my film archive). I strive for complete objectivity in my reviews, and generally prefer films with deep psychological or existential-philosophical character studies, or with the theme of society vs. the individual. Due to my interest in world cultures, as well as my native Russian and advanced Spanish language skills, I also love exploring world cinema, and am currently exploring films from France and Japan.

I am a freelance Rotten Tomatoes-approved film critic and the founder of the Spotlight on Film website (est. 2011). Previously, my work also appeared in such publications as In Review Online, Loud & Clear Reviews, Film Inquiry, and Film Obsessive. My memberships are the Online Association of Female Film Critics and the CherryPicks film community. My background is law (I possess Bachelor and Master’s degrees from the London School of Economics, and University College London respectively), and my other interests are literature, travel, art, music, anthropology, consciousness, history of psychiatry, and yoga.

On this site, I use a 5-star rating on my website, with ★★★★★ – being a truly great film, and – being a rather bad “film” effort. Most films will fall somewhere in between.

🎥 My work elsewhere:

Reviews
Lists

🤺 7 Great Films About Vietnam Veterans: Loud & Clear Reviews

😴 7 Great Dream Sequences in Film: Film Obsessive

🎥 My favourite directors include: Andrei Tarkovsky, Yasujirō Ozu, Akira Kurosawa, Robert Bresson, Billy Wilder, Luis Buñuel, Jean Renoir, & Alfred Hitchcock.

🎥 I love films with a soul. A good story is important, but not a necessity, as long as there is an intriguing or clear thematic vision, or a fascinating character, a psychological portrayal full of nuances worth considering, subtleties to uncover, and, even more essentially – a pulse, a beating heart. Thus, my favourite films include (excluding shorts, documentaries and animations):

Pre-1970s:

Safety Last! (1923), Metropolis (1927), The Passion of Joan of Arc (1928), M (1931), Trouble in Paradise (1932), Modern Times (1936), The Only Son (1936), Grand Illusion (1937), Gone with the Wind (1939), The Shop Around the Corner (1940), The Magnificent Ambersons (1942), The Life and Death of Colonel Blimp (1943), Double Indemnity (1944), A Tree Grows in Brooklyn (1945), Late Spring (1949), Los Olvidados (1950), Dairy of a Country Priest (1951), Strangers on a Train (1951), A Streetcar Named Desire (1951), Ikiru (1952), Europe ’51 (1952), Limelight (1952), Tokyo Story (1953), La Strada (1954), On the Waterfront (1954), Twenty-Four Eyes (1954), An Inn at Osaka (1954)

The Criminal Life of Archibaldo de la Cruz (1955), Les Diaboliques (1955), Spring on Zarechnaya Street (1956), Il Grido (1957), The Cranes Are Flying (1957), 3:10 to Yuma (1957), The Magician (1958), The Ballad of Narayama (1958), The Human Condition I: No Greater Love (1959), Le Trou (1960), The Apartment (1960), The Bad Sleep Well (1960), Eyes Without a Face (1960), Ivan’s Childhood (1962), Nine Days of the Same Year (1962), The Exterminating Angel (1962), The Birds (1963), The Pawnbroker (1964), Repulsion (1965), Andrei Rublev (1966), Rosemary’s Baby (1968), & Kes (1969).

🎥 For my opinion of the world’s greatest films, check out my list here: 10 Greatest Films. It is inspired by the S&S Magazine poll that takes place every 10 years, with hundreds of film critics and directors participating.