There are bits of greatness scattered throughout this film, and even if Ferrara does not manage to convince us entirely, these pieces, as well as Dafoe’s acting, make Tommaso a very curious film, indeed, especially character-wise.
Tag: abel ferrara
The Funeral (1996): Reversing the Genre, but Compromising Conviction
The “genre-reversal” gangster drama is still Ferrara at his most quintessential.